One of the greatest privileges of my job is to stand at trackside and watch the riders up close. It is the ideal antidote to the malaise which can affect journalists like me who tend to spend too much time indoors, in the press room, in the back of garages, and in team trucks and hospitality units, endlessly talking to people in pursuit of information. Walking out to Nieto, Peluqui and Crivillé, turns 9, 10 and 11 at Jerez, savoring the passion of the fans cheering as their favorite riders pass by, observing each rider closely as they pass, trying to see if I can see anything, learn anything, understand anything about the way the best motorcycle racers in the world handle their machines.
There is plenty to see, if you take the trouble to look. This morning, during warm up, I watched the riders brake and pitch their machines into turn 9, give a touch of gas to turn 10, before getting hard on the gas out of turn 10 and onto the fast right handers of 11 and 12. In the transition from the left of turn 8 to the right of turn 9, you see the fast riders move slowly across the bike, while the slow riders move fast. You see them run on rails through turns 9 and 10, before forcing the bike up onto the fatter part of the tire while still hanging off the side out of 10 and heading off to 11. You see the extreme body position on the bike, almost at the limit of physics. It is hard to see how a rider can hang off the bike further, outside hands barely touching the handlebars, outside feet almost off the footpegs. Photos and video barely start to do the riders justice. To experience it you need to see it from the track, and from the stands and hillsides that surround it.
Of all the riders to watch around Jerez, none is as spectacular as Jorge Lorenzo. Lorenzo is spectacular not for his exaggerated mobility, but rather for the lack of it. He slides around the Yamaha M1 like a python, oozing from side to side, his motion almost invisible to the naked eye. One moment he is hanging off the left side of the bike, then next he is over on the right, and you find yourself with no clear memory of seeing him go from one side to the other. He appears almost motionless, while the bike underneath him chases round the track at immense speed. He looks like a special effects montage, Lorenzo having been filmed in slow motion, sitting atop a motorcycle being shown at double speed. It is a truly glorious spectacle.