Analysis

There is nothing like the sight of racing motorcycles entering a track for timed laps to bring a circuit alive. If yesterday, the atmosphere was best described as eerie, the baritone roar of a pack of Moto3 bikes was enough to snap the MotoGP paddock out of its malaise. We went from wandering around looking lost to watching the timing screens, and jumping out of the way of bikes as they entered the pits.

Walking up and down pit lane, and with a chance to focus on Moto2 and Moto3 exclusively, a few things catch your attention. First, the luxurious space afforded to the MotoGP teams: each MotoGP rider has a garage to call their own, giving bikes, riders, and mechanics plenty of space to move around in. The Moto2 and Moto3 riders have vastly less room, with three two-rider teams squeezed across two garages. That forces mechanics to squeeze Moto2 bikes (as wide as most MotoGP machines) in between concrete pillars and the thin partition walls used to separate the teams, and give them somewhere to display their sponsors' names.

On Sunday, at 6pm, the desert night will erupt in a cacophony of sound, as Grand Prix motorcycle racing gets underway for the start of the 2020 season. But it won't be the vicious bellow of MotoGP machines which will shatter the desert silence; instead, the more modest howl (118 dB compared to 130 dB of the MotoGP bikes) of the Triumph triple-engined Moto2 machines will scream away from the lights and around the floodlit track.

It wasn't meant to be that way, of course. The Moto2 machines were supposed to race an hour and forty minutes earlier, their original start time planned for 4:20pm local time. Now, it will be the Moto3 riders starting their race at that time, and not the 3pm slot originally scheduled. The MotoGP machines will be sitting in packing crates, waiting to be shipped to the next race.

As I write this, it is not entirely clear where that will be. It might be Austin, Texas, unless the US authorities impose further restrictions. It might be Termas De Rio Honda, in Argentina, unless the Argentinian government changes its mind about allowing entry from Italy, or Japan, or anywhere else. It might even be Jerez, if international air travel is subject to sudden and extreme restrictions.

Evolution

What championship is the biggest box office draw? MotoGP. What championship is the most likely to give box office drama throughout the year? In 2020 it could be WorldSBK.

It’s a far cry from recent years where we’ve traded Jonathan Rea’s domination for Alvaro Bautista’s purple patch and then seen Rea rise from the ashes. The stick to beat WorldSBK with in recent years has always been that one man has won five titles in a row and won so many races. This year that could all change.

Scott Redding comes in as the reigning British Superbike champion. There’s a level of expectation heaped on his shoulders. Honda are back as a full-factory team and they are sure to be strong over the coming seasons. When HRC race they race to win. Yamaha has a brand new bike that has found a small step forward that could leap them into regular contention. BMW is in the second year of their programme. Kawasaki showed they are still the benchmark for consistency. This year in WorldSBK all five manufacturers will feel they can be competitive. Their riders will all think that they have a chance.

The second day of the final preseason test of 2020 showed pretty much the same pattern as the first day: Maverick Viñales didn't finish the day on top of the timesheets, but the Monster Energy Yamaha rider clearly has the best pace, capable of running consistent low 1'54s, a tenth or two faster than anyone else. Fabio Quartararo posted the fastest single lap on Sunday, and he and Alex Rins were the only riders getting anywhere near to Viñales' pace.

As a benchmark, Quartararo posted 14 laps in the 1'54s, Viñales 13 laps, Rins 11 laps. Joan Mir was the only other consistent contender, with 6 laps in the 1'54s, and a solid race pace in the low 1'50s, high 1'54s. The Yamahas and Suzukis are looking very strong indeed at Qatar.

That was borne out by Maverick Viñales' media debrief. Once, those were glum affairs, in which Viñales would sullenly respond with nearly monosyllabic answers. His mood has improved since last year, especially since his results became more competitive in the second half of the season. This year, he is positively upbeat: he used the word 'happy' ten times in three-and-a-half minutes speaking to reporters. Two years ago, the only time Viñales used the word 'happy' was when he preceded it with the words 'we can't be'.