Scott Jones, Ducati Corse
I'm going to be appearing at the San Francisco Dainese store again in February and I anticipate still more questions about photography in addition to those about what it's like to work in the MotoGP paddock, so I thought I'd post something photography-related here for those of you who enjoy taking pictures at the races.
The above image of Marco Simoncelli at Indy is one of my personal favorites from 2011, and I thought it would be useful when talking about what a photographer can do in the darkroom, whether that's one that smells of chemicals or the digital version. While some photographers still lament the loss of film as a medium for various and often quite legitimate reasons, I am grateful for the opportunities to start with one image and end up with another via digital tools more powerful than those in the wet darkroom. This image is a good example of how digital tools turned one image into something much different, and ultimately a photograph that I place among my best of the season.
I spent more time on the grid in 2011 than ever before and one of the interesting benefits of this was the level of details I started noticing in some of the helmets. On TV, or even at trackside, it's difficult to see exactly what the helmet designers have done to make each rider's crash hat unique.
So I started grabbing a few close up shots of helmets as they popped out of the hustle and bustle that makes up a G.P. grid. This collection is arbitrary in that I made no effort to look at each helmet to find the best ones. There simply isn't time to do that, nor is it possible to look in a systematic way since the bikes arrive in an unpredictable order, and the grid itself is a fairly hectic space until right before the start when they kick us off.
In August of last year I posted a desktop wallpaper on my website of the above image with a bit of information about the championship trophy's creator, GARCIAROJALS Studio in Barcelona. I'd seen the trophy up close for the first time while it was on display in the lobby of the mobile Dorna HQ building that travels to the European rounds. I was very impressed by the workmanship and design. It's quite a beaufitul bit of art, and I was pleased to share the above photo with others who shared that opinion.